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    <lastmod>2023-12-24</lastmod>
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      <image:title>selected artworks - The Passing of the Keepers of Salento at the opening of Moving Landscape, at the MUSEO FERROVIARIO DELLA PUGLIA, September 25, 2015</image:title>
      <image:caption>The Passing of the Keepers of Salento at the opening of Moving Landscape, at the MUSEO FERROVIARIO DELLA PUGLIA, September 25, 2015 “I arrived in Lecce, Salento on the invitation of public arts organization Progetto GAP for the Moving Landscape project with artists ENOCH CHEN (Taiwan), SANTIAGO MORILLA (Madrid, Spain) and TJ HOSPODAR (New York, USA). Autumn 2014 was also the fast approaching event of the role of the Train Keepers of southern Italy disappearinginto obsolescence, a slowly achieved cycle of modernization that had taken many years.  I wondered what kind of world the house of the Train Keepers was and given Puglia is a region known for decades of migration I wanted to consider how their experience was effected bywitnessing generations of migration and constant movement while the Keepers were one of those who stayed.  In advance I had called this an exploration of the ‘sendentary metaphysics’ of the Keepers.   I carried out a series of audio interviews with the Keepers and using this material developed a speech, a form of public, collective declaration to be called The Passing of the Keepers of Salento: a memorial to obsolescence.  This was to be directed at the passing trains and passengers and was intended as a form of temporary monument to the role of the Keepers falling into obsolescence.  Of course a futile, absurd gesture but also a poetic one in which the Keepers role would be publicly acknowledged and the intensity and complexity of the Keepers response to their situation would be given space.   Final filming took place on Friday November 28th 2014 mainly at Noveli station, Puglia with the declaration read over the public address system. This event was documented to make a short HD video.  This work is currently in development for publication in Italy in April 2015 and will feature a developed soundtrack as well as location sound. In a final work for the book in December 2014 one of the three remaining Train Keepers will be asked to write me a letter describing something of their final day as a Keepers.  It will begin “Dear Anne-Marie” and will be a descriptive record of the final moments of the Keepers role. ”</image:caption>
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      <image:title>selected artworks - 'Meeting the Pied Piper in Brasov', in exhibition Territories, BBK Galerie de Kunstler, Munich, 2008</image:title>
      <image:caption>SINGLE CHANNEL PROJECTED COLOUR DIGITAL Video PAL, 48 mHZ stereo sound.  7 min duration. 2006 Meeting The Pied Piper in Brasov’ in the exhibition ‘Territorien’, curated by Pavel Zelechovsky, in March and April 2007 at the BBK Galerie de Kunstler, Munich, Germany</image:caption>
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  <url>
    <loc>https://amcreamer.net/curriculum-vitae</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-02-27</lastmod>
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  <url>
    <loc>https://amcreamer.net/contact-me</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-10-15</lastmod>
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      <image:title>contact me</image:title>
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  <url>
    <loc>https://amcreamer.net/about-amc</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-09-15</lastmod>
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      <image:title>About AMC - Anne-Marie (R) during filming of The Oldest Man in Sogn og Fjordane</image:title>
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      <image:title>About AMC - Anne-Marie, 2023</image:title>
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      <image:title>About AMC</image:title>
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